Deogratias, ‘Aviary’ opened as smoothly as may be expected given the circumstances, and my warmest thanks go out to everyone who went to the opening and to the show since. I also want to thank everyone who’s expressed a genuine interest in my work, and by that I mean those who took the time to find out the how’s and why’s behind it.
That said, it rather struck me how I’ve been asked ‘what’s your process’ for making the pieces in the show. Having spoken about how I go about planning for an exhibit on the jillablog before, this post talks about the process behind the creation of the canvases for ‘Aviary’, in particular.
I don't purport to know everything. Yet if the little I do know can be of any help, you are more than welcome to it.