One of the gazillion nice things about art (or about people, if you like) is how no two artists (or people) think alike. It always used to amaze me back at art school how a bunch of people could be sitting in front of the same flowers or fruit or model and still come up with different things. Nobody ever painted or drew the subject in exactly the same way.
The thought process behind the production of art is different for everybody. There’s no, single, ‘correct’ way, if you will, to think of what to paint. In taking off from my previous entry on how reflecting on why you’re painting can help you come up with something to paint, this entry zeroes in on the actual how to think of something.
Like I said, even if you’re twins or very much in love, no two people are ever going to think exactly alike or conceptualise exactly the same painting. (Okay I take back the latter, as there may be grandfathered exceptions I am unaware of.)
So all I can offer here is how I go about it, in the hopes that it might give you some idea of how you could go about it, too. Especially if (continuing again from where my previous post left off), you’re doing No.13: You’re painting because you have a show.
I don't purport to know everything. Yet if the little I do know can be of any help, you are more than welcome to it.